Over the last few moths I have been putting together a series of images which I have called “THE STRANGE NEW WORLD”. I’m aiming to produce a coffee table book containing lots of the pictures I have created….. fingers crossed. This newly created weird and wonderful world has everything from an ocean containing mysterious creatures to strange flying machines in the sky…….. and everything in between. There are also a few weird and wonderful people living in this new world.
I will be uploading some of these images over time, but to start with here is a flavour of what you can expect……. hope you like what you see? x
Is there anything more wonderful than watching your print slither its way onto the printing tray (don’t answer that!)
I never tire of watching the picture appear from the deep dark depths of my printer……. except when it comes out completely magenta !
How the ecstasy can turn into hours of agony when you try and rectify the problem and you can’t find the solution.
I Turned everything off and on (yes I watch the IT crowd), Unistalled/installed the drivers, changed the leads, changed the ink cartridges, stood on one leg with my fingers crossed, I tried everything but to no avail…. still distinctly magenta. Hmmmmmm
That was yesterday and after a sleepless night I had yet another go this morning… my world still had a rosy glow… but not in a good way.
I came to the conclusion that I would have to buy another printer but in the meantime I ordered some more of my lovely Permajet paper and mentioned my predicament to the chap on the other end of the line. Quick as a flash I was put through to a lovely fella who gave me some sound advice and he said that I should follow the link he gave me because the driver download I was using (series 2) was apparently an Apple Generic Driver which overrode the Epson driver I needed . So I took him at his word, downloaded the new driver and hey presto my world is the right colour again……. very green, but that’s JUST the way I want it.
So now I sit here (writing this blog) listening to the printer happily whir away printing my pictures to exactly the right colours that I wanted them to be.
From a very early age I was taught to share – even though we had nothing and this need to share has never left me.
When I visit camera clubs to do may presentations I am regularly thanked for sharing my “knowledge” and people often say that they are surprised I am so open as to how I “do things”. I have lost count of the number of people who tell me that so and so at their club knows how to do something to a high standard but when asked how they did it will say “oh, I’ve forgetting how I did that…. I did it a long time ago”… or similar statements.
Whether it be camera settings, what lighting was used, how a picture was constructed or even the name of the model featured in the photograph, many people will keep this information closely guarded.
In some ways I understand. If you have taken the time and trouble to learn something (especially if you have paid for that information) does it sit comfortably to then pass on that newly gleaned information to others ? I have heard people say “I had to learn how to do such and such a thing so everyone else should do the same and find out for themselves……why should I teach them”. I also understand that for some people telling others how they (for example) put their picture together might help others to “beat them in the monthly comps” – I have heard this reason for not helping others time and time again, I have also had personal experience of that particular mind set when the person involved would always shrug and smile when asked how they had created the image.
I was told a few years ago “that I was crazy” to show people how I did my textured images – I was told that I should “keep it a secret and tell no-one”. Those that know me know I didn’t take any notice of that piece of advice and there are lots and LOTS of people who have attended my workshops and those people are now producing some lovely textured images. Am I dismayed about that fact … not in the least ! I am thrilled to bits that they have embraced what I have shown them and gone off and done their own thing.
I try and help and give advise to as many people as I can – people come to my home for a one to one, I give critiques over the internet and I also run a Face Book group which is dedicated to help people be more creative. This is all done free of charge and I do it willingly in the hope that some (if not all) may benefit from the little bit of input I give them
Helping others improve is a great gift and seeing them blossom and move forward is a wonderful thing and I for one throughly recommend it.
This is the first composite I have put together for quite a while.
The model was from a shoot organised (and styled) by Karen Boyle hosted at the Saracen House Studios (Andrew Griffiths) a few years ago and the resulting picture has been hanging around for quite a while.
I also put together the background about 6 months ago but didn’t do anything with it… until tonight.
I had a sudden spurt of inspiration and the whole picture came together quite quickly.
I wish I was one of those artists/photographers who creates images full of emotion and hidden (or not so) meanings but… as much as I try, it’s just not me.
All I do is create “pretty pictures” as they say “to thine own self be true” 🙂
A quiet few minutes doing some more colourising of old photos before a very busy weekend.
I don’t know about you but I think this lady is so beautiful and there is so much emotion in her face.
The model is “looking out of the frame” a no no for some people today but, as far as I am concerned, I think the photographer who captured this lady’s beauty, got the feeling and emotion spot on -even if she wasn’t looking at the camera !
I am totally new to colorising old photographs – but learning all the time.
Sometimes the colours I use “drop” into place quite easily. Sometimes, if I am having difficulty, I have to do a little research to get an idea as to what colours the people were wearing in those bygone days.